Mr. Solla has his Master's and Bachelor's of Arts in Cinema Studies from New York University. As a film enthusiast, his goal is to ensure the preservation and survival of the motion picture arts. He conducts scholarly analyses of films, exploring historical, political, social, and cultural implications. Cesar believes that cinema documents our culture, and through film, we can have a deeper understanding of who we are. Film, like every other art form, has the ability to connect people. He finds it imperative to spread this knowledge whether it is through film organizations like the Academy of Motion Picture Arts and Sciences, through institutions like the Museum of Modern Art, or through academia.
In New York, Cesar has contributed to many film festivals like the Tribeca Film Festival and the Chain NYC Film Festival. Right now, Cesar is a Submission Judge for the 57th New York Film Festival.
Academic Essays
The Wizard of Oz (1939) is a film about understanding the importance of home, or one’s origins. What defines home is the family structure. The values of taking care of one another and working towards the benefit of the group derive from a family oriented lifestyle. These values became an important principle during the Great Depression as they opposed the rugged individualism prevalent in the 1920s. After the superficiality of that decade and the crash that it caused, it was important for the nation to return back to simpler times and to focus on more important values. The theme of returning home, or to the origin, threads throughout the narrative of The Wizard of Oz. The form of the film is also structured in a way that reflects a return. The Wizard of Oz presents a film returning to its roots as it contains similar aspects of early cinema through spectacle, whether it’s through entertainment or movement, yet also alludes to the Great Depression and the need to return to the essentials of life.
Martin Scorsese has many films that present psychological and physical violence, such as Taxi Driver (1976) and Raging Bull (1980). Much of what these leading men have to deal with occurs inside their own mind. Because of these conflicts that exist internally with hardly any resolve, it creates psychological violence that becomes a struggle within. Eventually, this unseen fight in the mind manifests into physical violence. Though violence doesn’t occur the way it does in past Scorsese films, Hugo (2011) presents characters that have undergone psychological trauma, which leads them to act out in aggression. The internal struggle is the trauma that they’re trying to overcome, yet encourages their actions and decisions through the narrative.
Montages

I created this short montage of some of my favorite Oscar nominated films of 2016 to look back and ponder on their impact. This Award Season, people have asked me if I watched so and so movie. I would respond in a moment of silence, feeling instant heartbreak or grief recalling these films. Their impressions have lingered in my mind for months. This year’s nominees exposed this profound sadness and beauty that have haunted me ever since I watched them. What ties many of these films together is the deep exploration of characters trying to make sense of their circumstances whether it’s through their own personal struggle or coming into terms with tragedy. It explores the human condition, the way we thrive and flourish, flounder and crumble, hope and despair.
Fences recognizes the hardwork and sacrifices we make for our family and marriage through a Black working class family. It acknowledges familial love with its pain and joy that both keep and push people away.
Arrival teaches the importance of communication to connect us all while also illustrating the significant relation between the past, present, and future.
Jackie divulges a moment in time of an iconic woman we cannot ever truly know. With editing that constantly jumps time, the film informs the audience that the best way we can know an icon is through the pieces of information and perspectives we have to build a resemblance of a whole human being.
Hidden Figures reveals the unsung sheroes of NASA in the face of inequality. The film encourages perseverance for recognition and for the opportunity to use one’s personal gifts in order to better the world, regardless of gender or skin color.
The Lobster portrays the artificiality of connection due to obligation. The film asks what we are all willing to do for love and the sacrifices and comprises we are willing to make for it while questioning if they are really worth it.
Manchester by the Sea expresses grief and the way in which the past can eat away at our present. As overwhelming as grief can be, it takes love and humor to get through it.
La La Land is a film about dreamers and the possibility of accomplishing those passions we hold dear to our hearts. What is often overlooked is that universal dream to find that one person, the love of our lives, who will change our lives and influence us to be who we were meant to be. The misfortune is that sometimes those dreams, whether an aspiration or a person, can be out of our reach.
The lyrical film Moonlight shows the significance of finding one’s own ever changing identity and how our connections with others and the lack of it help shape one’s identity. It’s the film I hope will win the Oscar for Best Picture. Moonlight is an important film as it poetically gives a voice to several marginalized cultures. Even the film’s score and cinematography elevates an often disregarded aspect of American life in cinema, the low income struggle of a Black community. Moonlight brings humanity to a drug dealer and a drug addict as it also admits the vicious cycle of drug use and selling. In addition, the film deals with a Black man’s understanding of his homosexuality and the urgency of performative masculinity as a means of survival.
These films of 2016 have shown the endurance of the human spirit under such challenging circumstances. Through art, we have the ability to see how we all connect although we come from different backgrounds and experiences. Last year’s films were incredible in expressing this, especially through adversity where we truly find our humanity and the true value of things.

24 March, 2017 marked the 45th anniversary of the New York premiere of The Godfather. What gravitates me to the epic trilogy is not the mafia or the violence depicted. The story of the immigrant family is what intrigues me — its willingness to sacrifice in order to stay together and stay strong while revealing the human side of regret, disappointment, and betrayal. In the midst of assimilation in American life, it’s the immigrant family facing tradition and obligation in front of change. It’s the first generation born Americans dealing with the turmoil of the present while balancing the legacy of the past and the high hopes for the future. It’s about believing in America even though the country turned its back on immigrants while they still were able to carve their own way to the American dream for themselves and their family.

As kids, we learn the story of Peter Pan and becoming fascinated with the idea of flying and staying young. The film Hook explores what would happen if Peter Pan left Neverland and grew up, then having to return to Neverland as an adult to save his children. Through Peter's adulthood and his children's growing maturity, the film reveals the unexpected turns and disappointments that life can hand you, yet it reminds us that we can always "run home" to the people we care about and continue on that great adventure called life together.