Mr. Solla has his Master's and Bachelor's of Arts in Cinema Studies from New York University. As a film enthusiast, his goal is to ensure the preservation and survival of the motion picture arts. He conducts scholarly analyses of films, exploring historical, political, social, and cultural implications. Cesar believes that cinema documents our culture, and through film, we can have a deeper understanding of who we are. Film, like every other art form, has the ability to connect people. He finds it imperative to spread this knowledge whether it is through film organizations like the Academy of Motion Picture Arts and Sciences, through institutions like the Museum of Modern Art, or through academia.
In New York, Cesar has contributed to many film festivals like the Tribeca Film Festival and the Chain NYC Film Festival. Right now, Cesar is a Submission Judge for the 57th New York Film Festival.
Academic Essays
The Wizard of Oz (1939) is a film about understanding the importance of home, or one’s origins. What defines home is the family structure. The values of taking care of one another and working towards the benefit of the group derive from a family oriented lifestyle. These values became an important principle during the Great Depression as they opposed the rugged individualism prevalent in the 1920s. After the superficiality of that decade and the crash that it caused, it was important for the nation to return back to simpler times and to focus on more important values. The theme of returning home, or to the origin, threads throughout the narrative of The Wizard of Oz. The form of the film is also structured in a way that reflects a return. The Wizard of Oz presents a film returning to its roots as it contains similar aspects of early cinema through spectacle, whether it’s through entertainment or movement, yet also alludes to the Great Depression and the need to return to the essentials of life.
Martin Scorsese has many films that present psychological and physical violence, such as Taxi Driver (1976) and Raging Bull (1980). Much of what these leading men have to deal with occurs inside their own mind. Because of these conflicts that exist internally with hardly any resolve, it creates psychological violence that becomes a struggle within. Eventually, this unseen fight in the mind manifests into physical violence. Though violence doesn’t occur the way it does in past Scorsese films, Hugo (2011) presents characters that have undergone psychological trauma, which leads them to act out in aggression. The internal struggle is the trauma that they’re trying to overcome, yet encourages their actions and decisions through the narrative.